Earlier today, I spent a fascinating afternoon at the Bloomsbury Studio London, watching a production of Shakespeare’s The Tempest. But this production, devised and directed by Kelly Hunter (whom I saw only last year playing Mrs Alving in a quite superb production of Ibsen’s Ghosts), was not an ordinary production: it was aimed specifically for children and for young adults on the autistic spectrum.
Bloomsbury Studio is a small, in-the-round theatre. For this event, parents and carers sat on chairs arranged in an outer circle, while, in an inner circle, surrounding a space representing Prospero’s island, sat six actors, each looking after a small group of children. They went through the story, selecting specific scenes and specific lines, inviting and encouraging the children to join them in action and in mime, in sounds and movements.
Now, anyone who has experience with children on the autistic spectrum will know…
View original post 198 more words